[B530.Ebook] PDF Ebook The Ramayana: A Shortened Modern Prose Version of the Indian Epic (Penguin Classics), by R. K. Narayan

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The greatest Indian epic, one of the world's supreme masterpieces of storytelling

A sweeping tale of abduction, battle, and courtship played out in a universe of deities and demons, The Ramayana is familiar to virtually every Indian. Although the Sanskrit original was composed by Valmiki around the fourth century BC, poets have produced countless versions in different languages. Here, drawing on the work of an eleventh-century poet called Kamban, Narayan employs the skills of a master novelist to re-create the excitement he found in the original. A luminous saga made accessible to new generations of readers, The Ramayana can be enjoyed for its spiritual wisdom, or as a thrilling tale of ancient conflict.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700�titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the�series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date�translations by award-winning translators.

Sales Rank: #15699 in Books
Brand: Narayan, R. K./ Mishra, Pankaj (INT)
Published on: 2006-08-29
Released on: 2006-08-29
Format: Bargain Price
Original language: English
Number of items: 1
Dimensions: 7.70" h x .50" w x 5.00" l, .35 pounds
Binding: Paperback
192 pages

Features

Black book cover.
Rama

Language Notes
Text: English, Tamil (translation)

About the Author
R. K. Narayan (1906–2001), born and educated in India, was the author of fourteen novels, numerous short stories and essays, a memoir, and three retold myths. His work, championed by Graham Greene, who became a close friend, was often compared to that of Dickens, Chekhov, Faulkner, and Flannery O'Connor, among others.

Table of Contents

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About the Author

Title Page

Introduction

Dedication

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Chapter 1 - RAMA’S INITIATION

Chapter 2 - THE WEDDING

Chapter 3 - TWO PROMISES REVIVED

Chapter 4 - ENCOUNTERS IN EXILE

Chapter 5 - THE GRAND TORMENTOR

Chapter 6 - VALI

Chapter 7 - WHEN THE RAINS CEASE

Chapter 8 - MEMENTO FROM RAMA

Chapter 9 - RAVANA IN COUNCIL

Chapter 10 - ACROSS THE OCEAN

Chapter 11 - THE SIEGE OF LANKA

Chapter 12 - RAMA AND RAVANA IN BATTLE

Chapter 13 - INTERLUDE

Chapter 14 - THE CORONATION

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Epilogue

Glossary

THE RAMAYANA

R. K. NARAYAN was born on October 10, 1906, in Madras, South India, and educated there and at Maharaja’s College in Mysore. His first novel, Swami and Friends (1935), and its successor, The Bachelor of Arts (1937), are both set in the fictional territory of Malgudi, of which John Updike wrote, “Few writers since Dickens can match the effect of colorful teeming that Narayan’s fictional city of Malgudi conveys; its population is as sharply chiseled as a temple frieze, and as endless, with always, one feels, more characters round the corner.” Narayan wrote many more novels set in Malgudi, including The English Teacher (1945), The Financial Expert (1952), and The Guide (1958), which won him the Sahitya Akademi (India’s National Academy of Letters) Award, his country’s highest honor. His collections of short fiction include A Horse and Two Goats, Malgudi Days, and Under the Banyan Tree. Graham Greene, Narayan’s friend and literary champion, said, “He has offered me a second home. Without him I could never have known what it is like to be Indian.” Narayan’s fiction earned him comparisons to the work of writers including Anton Chekhov, William Faulkner, O. Henry, and Flannery O’Connor.

Narayan also published travel books, volumes of essays, the memoir My Days, and the retold legends Gods, Demons, and Others, The Ramayana, and The Mahabharata. In 1980 he was awarded the A. C. Benson Medal by the Royal Society of Literature, and in 1981 he was made an Honorary Member of the American Academy of Arts and Letters. In 1989 he was made a member of the Rajya Sabha, the nonelective House of Parliament in India.

R. K. Narayan died in Madras on May 13, 2001.

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PANKAJ MISHRA is the author of The Romantics, winner of the Los Angeles Times’s Art Seidenbaum Award for First Fiction, An End to Suffering: The Buddha in the World, and Tempations of the West: How to be Modern in India, Pakistan, Tibet, and Beyond . He is a frequent contributor to the New York Times Book Review, the New York Review of Books, and the Guardian.

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Penguin Books Ltd, Registered Offices:
80 Strand, London WC2R 0RL, England

�
First published in the United States of America by The Viking Press 1972
First published in Great Britain by Chatto & Windus 1973
Published in Penguin Books (U.S.A.) 1977
Published in Penguin Books (U.K) 1977
This edition with an introduction by Pankaj Mishra published in Penguin Books (U.S.A.) 2006

�

�
Copyright � R. K. Narayan, 1972

�
The decorations, drawn from Indian temple sculptures, are by R. K. Laxman.

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LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA
Narayan, R. K., 1906-2001.
The Ramayana : a shortened modern prose version of the Indian epic (suggested by the Tamil version of
Kamban) / R.K. Narayan ; introduction by Pankaj Mishra.
p. cm.—(Penguin classics)

eISBN : 978-0-143-03967-9

1. Rama (Hindu deity)—Fiction. 2. Epic literature, Tamil—Adaptations. I. Kampar, 9th cent.
Ramayanam. II. Title. III. Series.
PR9499.3.N3R36 2006
297.5’922—dc22 2006045201

�

�
The scanning, uploading and distribution of this book via the Internet or via any other means
without the permission of the publisher is illegal and punishable by law. Please purchase
only authorized electronic editions, and do not participate in or encourage electronic
piracy of copyrighted materials. Your support of the author’s rights is appreciated.

Introduction

In the summer of 1988 sanitation workers across North India went on strike. Their demand was simple: they wanted the federal government to sponsor more episodes of a television serial based on the Indian epic Ramayana (Romance of Rama). The serial, which had been running on India’s state-owned television channel for more than a year, had proved to be an extraordinarly popular phenomenon, with more than eighty million Indians tuning in to every weekly episode. Streets in all towns and cities emptied on Sunday mornings as the serial went on the air. In villages with no electricity people usually gathered around a rented television set powered by a car battery. Many bathed ritually and garlanded their television sets before settling down to watch Rama, the embodiment of righteousness, triumph over adversity.

When the government, faced with rising garbage mounds and a growing risk of epidemics, finally relented and commissioned more episodes of The Ramayana, not just the sanitation workers but millions of Indians celebrated. More than a decade and many reruns later, the serial continues to inspire reverence among Indians everywhere, and remains for many the primary mode of experiencing India’s most popular epic.

The reasons for this may not be immediately clear to an uninitiated outsider: the serial, cheaply made by a Bollywood filmmaker, abounds in ham acting and tinselly sets, and the long, white beards of its many wise, elderly men look perilously close to dropping off.

But it wasn’t so much its kitschy, Bollywood aspect that endeared the serialization to Indians as its invoking of what is easily the most influential narrative tradition in human history: the story of Rama, the unjustly exiled prince. It may be impossible to prove R. K. Narayan’s claim that every Indian “is aware of the story of The Ramayana in some measure or other.” But it will sound true to most Indians. Indeed, the popular appeal of the story of Rama among ordinary people distinguishes it from much of Indian literary tradition, which, supervised by upper-caste Hindus, has been forbiddingly elitist.

There is really no Western counterpart in either the Hellenic or Hebraic tradition to the influence that this originally secular story, transmitted orally through many centuries, has exerted over millions of people. The Iliad and The Odyssey are, primarily, literary texts, but not even Aesop’s fables or the often intensely moral Greek myths shape the daily lives of present-day inhabitants of Greece. In contrast, The Ramayana continues to have a profound emotional and psychological resonance for Indians.

Most helpful customer reviews

71 of 73 people found the following review helpful.
Narayan's Ramayana
By Joshua Grasso
As a fan of Narayan's work, I was fascinated to see how he would tackle the grand subject of the Ramayana, a work that runs through and certainly influences all of Narayan's stories. The result is one of his most delightful and beautifully written novels. I think it is important to approach this book not as "THE" Ramayana, but one storyteller's unique vision of the timeless epic--even as a variation on one of his Malgudi novels (the characters certainly bare a distinct resemblance). Narayan's writing is extremely sensitive, refined, yet full of humor and charm. Throughout he adopts the tone of a storyteller, openly acknowledging that he is only "retelling" a story by a much greater storyteller, and leaving out the juciest parts at that. His little asides where he explains, "And here the poet described the scene so touchingly..." are at once reverent and amusing, as Narayan wisely omits anything too excessive or poetic that might derail his narrative. But the story itself is wonderful, a colorful, full-blooded telling of the Ramayana, sparse, fast-moving, but with all the hallmarks of Narayan's style. This book is a must for any fan of Narayan's fiction, Indian writing, or mythology. Narayan effectively conveys the epic's timelessness, with characters and situations that echo throughout literature and film, full of profound human emotions. And this is always one of Narayan's chief strengths, to create believable, complex human characters. In his treatment, even Rama and Sita emerge as sympathetic individuals, not the cardboard cut-outs all too common given their extraordinary powers. In short, this is a magical and engaging work that I know I will read again and again in the years to come. I invite you to do the same!

38 of 38 people found the following review helpful.
A Gripping Story out of a Great Epic.
By Xavier Thelakkatt
The story of Ramayana is in the blood stream of everyone from India. The original epic was written in the 4th century BC in Sanskrit, by Valmiki. Poets in every Indian language have retold this story. This present book relying on the Tamil Kamban version, presents before the reader the essential story of Ramayana. R.K Narayan, with the command of the English language and love for fast story movement, narrates the kernel of the epic poem in an engaging manner, for the sake of the English reader not familiar with the original version. Naturally, some of the elaborate details had to be left out and some narratives had to be condensed. This made the enormous epic into an enjoyably gripping story, in less than 200 pages.

53 of 57 people found the following review helpful.
Wonderful Retelling
By A Customer
This is a condensed version of not the original Ramayana as handed down to us in Sanskrit, but of the Tamil version of the story that Sri Narayanji grew up with. There are versions of the Ramayana in nearly all Indian dialects and languages, and as Tamil is one of the oldest, it is also quite interesting to see a translation from that language. The tale is told fairly faithfully, although much is left out (this is necessary to avoid having to sell several volumes to tell the whole tale, as the original tale is HUGE). I thought that it may have been a rather boring story, especially to a modern reader, but boy, was I ever wrong! This was one of the most entertaining and gripping books that I have ever read. It tells the story of Ramachandra's youth to his betrayal by his stepmother, his journey in the desert, and how he defeated Ravana, who had kidanapped Sita and brought her to Sri Lanka, as well as Hanuman's revelries. Rama is still an excellent example of Hindoo ideals, but the primary value of the story for me was not so much religious or ethical as much as it was simply a fascinating journey into the vast world of Indian literature. A wonderful read; I would recommend it to anyone.

See all 65 customer reviews...

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