[F357.Ebook] Free PDF Shakespeare's Bawdy (Routledge Classics), by ERIC PARTRIDGE
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Shakespeare's Bawdy (Routledge Classics), by ERIC PARTRIDGE
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This classic of Shakespeare scholarship begins with a masterly introductory essay analysing and exemplifying the various categories of sexual and non-sexual bawdy expressions and allusions in Shakespeare's plays and sonnets. The main body of the work consists of an alphabetical glossary of all words and phrases used in a sexual or scatological sense, with full explanations and cross-references.
- Sales Rank: #566405 in eBooks
- Published on: 2005-07-08
- Released on: 2005-07-08
- Format: Kindle eBook
Amazon.com Review
When Shakespeare's plays were first performed, they were popular with everyone: they weren't classics yet or a requisite course to be suffered. The stories were good entertainment for the masses, with a bawdy streak a mile wide. Certainly Shakespeare's depth and insight into human nature was appreciated, but surely some came just for the dirt. Shakespeare's contemporaries didn't need a glossary to get the jokes, but we do. Thank goodness for Eric Partridge's dictionary of Elizabethan smut, so we can get the double-entendres, too. Thus, "hardening of one's brows" (The Winter's Tale) refers to being cuckolded, "laced mutton" (Two Gentleman of Verona) is a prostitute, "riggish" (Cleopatra) means lascivious, and "groping for trout in a peculiar river" (Measure for Measure) means copulating with a woman. With an essay on the sexual, homosexual, and nonsexual bawdy in Shakespeare, an index to the essay, and a full glossary of bawdry, Partridge puts the nudge and wink back in Shakespeare.
Review
'It reads as freshly today as it did fifty years ago, when it surprised everyone with its originality and daring, an intriguing blend of personal insight and solid detective-work. If ever a word-book deserved to be called a classic, it is this.' - David Crystal
About the Author
Eric Partridge (1884-1979) was the author of some three dozen books, mainly on the aspects of the English language. Stanley Wells is an eminent Shakespearean scholar and the general editor of Oxford Shakespeare.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Shakespeare's Bawdy
By Robert S. Powers
Eric Partridge is always a fine scholar of words. His glossary of words that Will Shakespeare used, and what Will actually meant by those words, is fascinating. Understand Will better!
I do have another book about the same subject, titled "Naughty Shakespeare". The only thing that I noticed in the "Naughty..." book that Partridge didn't mention or maybe didn't know about, was that Shakespeare's street audience really understood what "Much Ado About Nothing" is *really* about. His street audience knew that men do carry "something" between their legs; but women carry "nothing" there. So there's your naughty lesson for the day about one of Will's most performed plays.
Sorry if that story is offensive to some people. But you probably wouldn't have read it if you were not intersted in Shakespeare's "Bawdy" :=))
Bob Powers
3 of 3 people found the following review helpful.
Excellent
By Lynwood Wilson
Most of us cannot properly appreciate Shakespeare without a little help with the language. It's not so much that he uses words we don't know, although that is a problem, it's that he uses words we think we know to mean things we're not familiar with. "Shakespeare's Words" by Crystal and Crystal is a big help, but they leave out a lot of the naughty bits. Shakespeare's work is heavily salted with sexual puns and references. Don't miss the fun.
I also like "Filthy Shakespeare" by Kiernan.
12 of 21 people found the following review helpful.
Hard to Believe
By Tek2000
You might find it hard to believe that such an inherently interesting topic could be made tedious. However, Eric Partridge excels at it. The bulk of the book is an excellent glossary which we are guided to read based upon lists of words in the short 58 page introductory essay. For example, in reference to the entire corpus, he says "Clasping ranges from the almost meaningless waist-encirclement of the merely familiar to the passionate embraces of lovers: and in the Glossary entries at arms, clasp, clip, embrace, hoop with embraces, hug, lay one's..., and strain account for most of the nuances." (p. 30)
Another example also shows the pomposity with which the text is replete: "This is the Shakespearean locus classicus; and I hardly need to reproduce it here. Yet for the sake of the inexpert or the not-so-knowledgeable, I refer the reader to the following entries in the Glossary: virginity, kept out, assail, sit down before, undermine, blow up, breach, city, increase, virgin, principal, lying and withered pear." (p. 41) Note that they are not in alphabetical order. We would not want the reader to review both virgin and virginity at the same time, would we?
There is a chapter that comes tantalizingly close to ranking the plays from least to most bawdy. But even here, he manages to avoid giving us anything so useful and expected. Instead, we get a list in chronological order with vague relative bawdiness scores such as "out-Kyds Kyd in crude sensationalism" and "the obscenest of the Histories" and "possesses a few more particularities than Macbeth, yet, in its general effect, even less `objectionable'".
Only three Shakespearean excerpts of more than a few lines are examined to any extent so you can get a feeling of how to discern and enjoy Shakespeare's Bawdy when reading or hearing it. For one of them, perhaps the most useful two pages in the book, the author tells us in a footnote that "Professed Shakespearean scholars and competent lexicographers need not read this section-ending. All other readers, however, might do worse than to ponder it." Worse than this? That is hard to believe.
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